Liu Zhenyun was born in Yanjin County, Xinxiang, Henan Province in May 1958. He is a very bright star in the literary galaxy. He started from this place and bravely moved forward on the literary road, breaking through many obstacles. Finally, he became a member of the Beijing Youth Federation and became a first-class writer.
Where did Liu Zhenyun graduate?
He completed his studies at the Lu Xun Institute of Literature at Beijing Normal University, which laid a solid foundation for his literary creation. His early work "Tapu" was included in the earliest collection of novels "Tapu". At that time, his writing technique was simple, and the meaning of storytelling was stronger than the expression of opinions. It was like a neighbor next door slowly telling ordinary trivial matters in life, but it could make readers immersed in it.
What are Liu Zhenyun’s masterpieces?
As the creative process continues to deepen, Liu Zhenyun has successively produced many excellent works. The first is "Chicken Feathers on a Ground", which allows us to witness the struggle of tiny people in the trivial and complicated life. The details of life are as messy as chicken feathers on the ground, which are both real and heart-wrenching. Immediately afterwards, the two works "Cell Phone" and "My Name is Liu Yuejin" vividly presented the absurdity and helplessness contained in life. It is said that these two works are not only more vivid and exciting but also particularly sharp and profound than the movie of the same name with the same name.
What are Liu Zhenyun’s novels?
His novels are also extremely unique. "Yellow Flowers in Hometown", "Community and Communication in Hometown", "Hometown Faces and Flowers", etc., use hometown as the background, and depict a large-scale historical and social picture. In his writings, hometown is not just a geographical concept, but also a place where the soul rests and a place where human nature is tested.
From his remarks about Confucius, we can see that he has profound thoughts on human existence. Just like the words of the two uncles mentioned in the material, the uncle said, "A person who is neither stupid nor clever should do one thing in his life and never do another thing." The younger uncle said, "Do things slowly." , Liu Zhenyun may also practice concentration and composure when creating. He has never been lost in the trend of literature, but is obsessed with his own style and direction, and is dedicated to exploring the reality of human nature and life.
The "return to zero mentality" advocated by Liu Zhenyun is like a compass in the trajectory of life. When you are in good times, you must "return to zero" in a timely manner, so that you are not proud or impatient, and do not let success become a burden on the way forward.
Life is like cleaning a house. If the house is full of useless things, no matter how brilliant it is, it is still just a heavy burden to carry forward. We have to get rid of all those useless fame, fortune, and distracting thoughts and desires, so as to leave space for the soul to pursue dreams and maintain passion. Not long ago, I saw a piece of news about a man who quit his high-paying job and then re-study for the postgraduate entrance examination. He sold his house, gave up luxury, and devoted himself to study. This kind of courage is a manifestation of taking the initiative to "return to zero."
Liu Zhenyun's works are like a mirror. In this fast-paced era that values dreams, it allows us to observe life and reflect our own shadow. It can also urge us to learn to "general" life, so as to cultivate a rejuvenated creative edge.
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